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Mingei - Wikipedia

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The concept of mingei (民芸), variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966). As such, it was a conscious attempt to distinguish ordinary crafts and functional utensils (pottery, lacquerware, textiles, and so on) from "higher" forms of art – at the time much admired by people during a period when Japan was going through rapid westernisation, industrialisation, and urbanization. In some ways, therefore, mingei may be seen as a reaction to Japan's rapid modernisation processes.[1][2] As a young man, Yanagi developed a liking for Joseon (1392–1910) ceramics, and in 1916, made his first trip to Korea. There he started to collect items, especially pottery, made by local Korean craftsmen. Realising that Yi Dynasty wares had been made by "nameless craft

Mingei - Wikipedia Jump to content From Wikipedia, the free encyclopedia Japanese folk art philosophy formed in the 1920s You can help expand this article with text translated from the corresponding article in Japanese . (June 2026) Click [show] for important translation instructions. Consider adding a topic to this template: there are already 1,482 articles in the main category , and specifying | topic = will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provi

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