dialectical damage - by Ava - bookbear express

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Molly Donovan: “Susan Rothenberg's intuitive approach to painting led her one day in 1973 to spontaneously sketch the image of a horse—a subject that would preoccupy her until 1980. She later recalled, "I had been doing abstract paintings, using a central dividing line so as to keep the painting on the surface and call attention to the canvas. . . . The horse was just something that happened on both sides of my line. The image held the space and the line kept the picture flat." Two questions for you guys: 1) I’m gonna be in Europe for the next two weeks… any kind of writing that you’d like to see? Travelogue? Food recommendations? Random musings? 2) I was wondering if we could do a Modern Love type of thing on the Substack… like, reader-submitted short essays about friendships and romantic relationships? Any interest? On the walk a girl asked me why I wrote about relationships and I said it was because relationships, like clothes, are things you can’t avoid. Unless you’re a hermit, you

Susan Rothenberg, Butterfly, 1976 Molly Donovan: “Susan Rothenberg's intuitive approach to painting led her one day in 1973 to spontaneously sketch the image of a horse—a subject that would preoccupy her until 1980. She later recalled, "I had been doing abstract paintings, using a central dividing line so as to keep the painting on the surface and call attention to the canvas. . . . The horse was just something that happened on both sides of my line. The image held the space and the line kept the picture flat." Two questions for you guys: 1) I’m gonna be in Europe for the next two weeks……

dialectical damage - by Ava - bookbear express

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