The Movie Industry’s Confused ‘Eat the Rich’ Fantasy
vulture.com · 2,034 words · saved by 1 readers
What Triangle of Sadness and The Menu get wrong about class warfare.
Photo: Fredrik Wenzel/Plattform Produktion The existence of hell is a problem for theologians: Why would a just and merciful god create a playground for the perpetual torture of his children? But for the rest of us it’s a comfort. Never in human history have we possessed so capacious a knowledge of the various and specific iniquities of the world — and so little hope of them ever being rectified. Evil abounds; justice is scarce. Every day brings more nuanced data about the criminally wealthy, the lives they live at our expense, and the elaborate means at their disposal to escape judgment. In t
related reading
- After Work, We’ll Have Each Otherasteriskmag.com
- What People Got Wrong About the Film Parasiterobkhenderson.substack.com
- The Michael Scott Theory of Social Class – Alex Danco's Newsletteralexdanco.com
- Why Do Rich People In Movies Seem So Fake?sundogg.substack.com
- Hitting Rock Bottom: Representing Capital in Late Neoliberal Cinema – Senses of Cinemasensesofcinema.com
- bro, where's my marriage plotblgtylr.substack.com
- Getting Personal about Parasite (2019) | Review - ahnest kitchenahnestkitchen.com
- Frankfurt School: The Culture Industry: Enlightenment as Mass Deceptionmarxists.org
- Book Review: Sadly, Pornastralcodexten.com
- Anton Jäger, Plenipotentiary — Sidecarnewleftreview.org
- The Sedimentary Faultlines. - by Aurelia Zhangmuonneutrino.substack.com
- In Praise of Idleness, by Bertrand Russellharpers.org