The Difficult Women of “Sex and the City” | The New Yorker
From 2013: Emily Nussbaum on the show that jump-started HBO, and how the sexually frank antiheroes of “Sex and the City” led to Tony Soprano of “The Sopranos.”
Save this story Save this story Though “The Sopranos” may have sparked the bad-boy revolution of cable TV, Carrie Bradshaw was the first female anti-hero. Illustration by Andy Friedman When people talk about the rise of great TV, they inevitably credit one show, “The Sopranos.” Even before James Gandolfini’s death, the HBO drama’s mystique was secure: novelistic and cinematic, David Chase’s auteurist masterpiece cracked open the gangster genre like a rib cage, releasing the latent ambition of television, and launching us all into a golden age. “The Sopranos” deserves the hype. Yet there’s some
related reading
- The Smartest Women I Know Are All Dissociatingbuzzfeednews.com
- The male mind cannot comprehend the allure of Tony Sopranocatherineshannon.substack.com
- The Remaking of Susan Sontag | The New Republicnewrepublic.com
- Romantic Urbanism – Syllabussyllabusproject.org
- The repulsive crust - by Sam Kriss - Numb at the Lodgesamkriss.substack.com
- Lauren Oyler · Ha ha! Ha ha! Jia Tolentinolrb.co.uk
- Reality Hunger: On Lena Dunham’s “Girls” | Los Angeles Review of Bookslareviewofbooks.org
- Too Close, Too Compromised: “Killing Eve” and the Promise of Sandra Oh | Los Angeles Review of Bookslareviewofbooks.org
- The PMC Has Sex | Virtue Hoarders | Manifold@UMinnPressmanifold.umn.edu
- No One Wants It | Affidavitaffidavit.art
- How to write a sex column without writing about sexdailycal.org
- Cinema's Body Problem - House House Magazinehousehousemagazine.com